Songs Perceived as Relaxing : Musical Features, Lyrics, and Contributing Mechanisms
Year of publication
2020
Authors
Baltazar, Margarida; Västfjäll, Daniel
Abstract
How we listen to music has been changing rapidly in the last years, with online streaming becoming more predominant. Besides the gain in accessibility for the listeners, the growth of online services also affords easier access to data for musical analyses. A growing body of research has been showing that daily life music listening serves varied functions, from affect regulation to social bonding. More specifically, the reduction of stress responses is quite pertinent in the contemporary world, and recent studies have high-lighted the importance of adequate musical choices. This study aimed to identify the characteristics of music that individuals perceive as favorable to relax and to compare it to the music perceived as unfa-vorable to relax. Furthermore, the study intended to explore the possibilities offered by the application programming interfaces (API) of services such as the music streaming Spotify and the lyrics database genius as sources for future work. Answers were collected through an online survey, where the participants provided examples of music tracks (favorable and unfavorable to relaxation). They also rated the contribution of several musical mechanisms to the (in)efficacy of the examples. Musical features were pulled from the Spotify API and the lyrics were retrieved from the genius API through the R package spotifyr and then analyzed. The discriminant functions for musical features and perceived mechanisms (Wilks’ lambda: .611, χ2(20) = 257.57, p < .001) and for all the variables when lyrics were present (Wilks’ lambda: .555, χ2(26) = 202.80, p < .001) were statis-tically significant. Relaxing and non-relaxing music was successfully distinguished by perceived mechanisms, Spotify features, and two variables related to lyrics. The largest contributors for the discriminant function were the mechanisms aesthetic value, genre/preference, and familiarity, following by the Spotify features energy and loudness.
Show moreOrganizations and authors
Publication type
Publication format
Article
Parent publication type
Conference
Article type
Other article
Audience
ScientificPeer-reviewed
Non Peer-ReviewedMINEDU's publication type classification code
B3 Article in conference proceedings (non-peer-reviewed)Publication channel information
Parent publication name
Conference
International Conference: Psychology and Music – Interdisciplinary Encounters
Publisher
Faculty of Music, University of Arts in Belgrade
Pages
115-124
ISBN
Open access
Open access in the publisher’s service
Yes
Open access of publication channel
Fully open publication channel
Self-archived
Yes
Other information
Fields of science
Psychology; Theatre, dance, music, other performing arts
Keywords
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Publication country
Serbia
Internationality of the publisher
International
Language
English
International co-publication
Yes
Co-publication with a company
No
The publication is included in the Ministry of Education and Culture’s Publication data collection
Yes