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Songs Perceived as Relaxing : Musical Features, Lyrics, and Contributing Mechanisms

Year of publication

2020

Authors

Baltazar, Margarida; Västfjäll, Daniel

Abstract

How we listen to music has been changing rapidly in the last years, with online streaming becoming more predominant. Besides the gain in accessibility for the listeners, the growth of online services also affords easier access to data for musical analyses. A growing body of research has been showing that daily life music listening serves varied functions, from affect regulation to social bonding. More specifically, the reduction of stress responses is quite pertinent in the contemporary world, and recent studies have high-lighted the importance of adequate musical choices. This study aimed to identify the characteristics of music that individuals perceive as favorable to relax and to compare it to the music perceived as unfa-vorable to relax. Furthermore, the study intended to explore the possibilities offered by the application programming interfaces (API) of services such as the music streaming Spotify and the lyrics database genius as sources for future work. Answers were collected through an online survey, where the participants provided examples of music tracks (favorable and unfavorable to relaxation). They also rated the contribution of several musical mechanisms to the (in)efficacy of the examples. Musical features were pulled from the Spotify API and the lyrics were retrieved from the genius API through the R package spotifyr and then analyzed. The discriminant functions for musical features and perceived mechanisms (Wilks’ lambda: .611, χ2(20) = 257.57, p < .001) and for all the variables when lyrics were present (Wilks’ lambda: .555, χ2(26) = 202.80, p < .001) were statis-tically significant. Relaxing and non-relaxing music was successfully distinguished by perceived mechanisms, Spotify features, and two variables related to lyrics. The largest contributors for the discriminant function were the mechanisms aesthetic value, genre/preference, and familiarity, following by the Spotify features energy and loudness.
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Organizations and authors

University of Jyväskylä

Macedo Baltazar Margarida Orcid -palvelun logo

Publication type

Publication format

Article

Parent publication type

Conference

Article type

Other article

Audience

Scientific

Peer-reviewed

Non Peer-Reviewed

MINEDU's publication type classification code

B3 Article in conference proceedings (non-peer-reviewed)

Publication channel information

Conference

International Conference: Psychology and Music – Interdisciplinary Encounters

Publisher

Faculty of Music, University of Arts in Belgrade

Pages

115-124

Open access

Open access in the publisher’s service

Yes

Open access of publication channel

Fully open publication channel

Self-archived

Yes

Other information

Fields of science

Psychology; Theatre, dance, music, other performing arts

Keywords

[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Publication country

Serbia

Internationality of the publisher

International

Language

English

International co-publication

Yes

Co-publication with a company

No

The publication is included in the Ministry of Education and Culture’s Publication data collection

Yes